Sunday, February 18, 2007

LCHS Performing Arts to present INTO THE WOODS

LCHS Performing Arts Department
announce Spring 2007 Musical,

INTO THE WOODS
SAVE THE DATES
April 20 & 21, 2007

Important Audition Information in this Entry

(more posts about the show and auditions follow)

An ambivalent Cinderella? A blood-thirsty Little Red Ridinghood? A Prince Charming with a roving eye? A Witch...who raps? They're all among the cockeyed characters in James Lapine and Stephen Sondheim's fractured fairy tale. When a Baker and his Wife learn they've been cursed with childlessness by the Witch next door, they embark on a quest for the special objects required to break the spell, swindling, lying to and stealing from Cinderella, Little Red, Rapunzel and Jack (the one who climbed the beanstalk). Everyone's wish is granted at the end of Act One, but the consequences of their actions return to haunt them later, with disastrous results. What begins a lively irreverent fantasy in the style of “The Princess Bride” becomes a moving lesson about community responsibility and the stories we tell our children.

Look to the sidebar---------------> for some video clips of different INTO THE WOODS productions.

OUR APPROACH

The original production was lauded with many major awards and nominations. However, Sondheim and Lapine rethought their approach in the 1988 Broadway production and revived the hit in 2002. This version was much richer in dance, spectacle and acting. The LCHS version of INTO THE WOODS will move in the same direction as the revival production of 2002. Although the original DVD (with Bernadette Peters) is a treasure for singing, sets and costumes, it is not the approach we will be taking with the production.

PREPARATION & AUDITION INFORMATION

Mrs. Sievers and Mr. Johnson will be passing out music on February 19 & 20, 2007 to give students an opportunity to rehearse prior to auditions. Needed are 12 female actors, 7 male actors, a stage manager, an assistant director, a technical director and several choreographers. The set for this production is ambitious. The costumes are goregeous. It will truly be a BEAUTIFUL production.

The first audition for most roles will be ONLY singing. Please check out the links below to see vocal range for characters and the link to MTI Shows' online versions of the songs. Those who are "called back" will be asked to sing and act.

General meetings and auditions will begin on February 26, 2007. Callbacks will be held Thursday March 2, 2007. The cast list will be posted on Friday afternoon March 3, 2007. Rehearsals will begin the week of March 6, 2007.

With plenty of unforgettable roles, and no chorus, “Into The Woods” is a great way to showcase a talented ensemble cast. And since the show's emphasis is on character rather than spectacle, it is equally at home in large or intimate spaces. One of Sondheim's most popular works, this timeless yet relevant piece is a rare modern classic.

Opened 11/5/1987 Ran for 764 performances.

Total enchantment. A spellbounding score, witty enough to make old stories fresh for adults, lovely enough to enchant youngsters."- Daily News

"Bewitching... dazzling... triumphant." - New York Post"Non-stop pure pleasure. A ravishing explosion of color and melody and magic and laughter." - Time Magazine"

DOUBLE CLICK HERE to take the Quizilla Quiz to determine which INTO THE WOODS character you are most like.

INTO THE WOODS Characters with Singing Ranges


SINGING INFORMATION
(More INTO THE WOODS information follows this post)

DOUBLE CLICK HERE to the taken to the Music Theatre International Web Page. This page has hyperlinks to the songs so that you can listen to them. Please pay special attention to "Agony" and "No One is Alone".


NARRATOR Intellectual and pleasant.
Baritone: G - High E

CINDERELLA Earnest, warm-hearted.
Soprano: G - High G

JACK The feckless Giant Killer, almost a man.
Tenor: A - High G

JACK'S MOTHER Browbeating and weary.
Soprano: B - High F sharp

THE BAKER Harried and insecure.
Baritone: A - High G

THE BAKER'S WIFE Determined and bright.
Mezzo-Soprano: G - High F

CINDERELLA'S STEPMOTHER Mean-spirited.
Mezzo-Soprano: A sharp - High F

FLORINDA Cinderella's stepsister, lovely but black of heart.
Mezzo-Soprano: C - High E

LUCINDA Cinderella's stepsister, lovely but black of heart.
Mezzo-Soprano: C - High E

CINDERELLA'S FATHER

LITTLE RED RIDINGHOOD A spoiled smart aleck.
Mezzo-Soprano: B - High F

THE WITCH Sarcastic, ugly-then-gorgeous.
Mezzo-Soprano: Low F - High F

CINDERELLA'S MOTHER

MYSTERIOUS MAN A mischievous vagrant.
Baritone: G - High E flat

WOLF Hungry and insatiable.
Baritone: B - High G flat

GRANNY Red's fiesty, savage grandmother.

RAPUNZEL A loopy-but-lovely maiden.
Soprano: C - High A sharp

CINDERELLA'S PRINCE Vain and gorgeous.
Baritone: B - High F

RAPUNZEL'S PRINCE Just as vain and gorgeous.
Baritone: C sharp - High E

STEWARD Surly and bureaucratic.

GIANT

SNOW WHITE

SLEEPING BEAUTY

JACK'S COW (2)

INTO THE WOODS Plot Synopsis w/ Pictures


INTO THE WOODS SUMMARY
(more production information below this post)

Act One


We discover three dwellings in a large forest. In one, we see Cinderella cleaning; in the second, we see Jack trying to milk his pathetic-looking cow, Milky-White; and in the third, we see the Baker and the Baker's Wife preparing tomorrow's bread.

The Narrator leads the company through The Prologue" as we learn about a series of wishes that are more important than anything - even life itself - to these characters. Cinderella wants to go to the King's Festival; Jack wishes his cow could give milk; and the Baker (who believes his parents were killed in a baking accident) wishes he and his Wife could have a child. As these characters express their wishes, we meet Cinderella's Stepmother and stepsisters who laugh at the idea of her going to a ball; Jack's aging mother who wishes for a lot of gold and a less foolish son; and Little Red Ridinghood, who comes to buy bread, sticky buns and pies from the Baker and his Wife before starting her journey into the woods to see her sick Grandmother.

We learn Jack's cow (whom Jacks foolishly persists in refering to as "he") is no longer giving milk. Jack's Mother says he must sell the cow so they can survive. He is crushed because he thinks the cow is his best friend, but sets off to the market to sell it. Leaving Cinderella in tears, her family rides off to the ball without her.

The Baker and his Wife learn the Witch next door, a humpbacked crone with long gnarled fingers, has placed a curse on them to prevent their having a child. She explains the Baker's father had stolen various vegetables from her garden many years ago to satisfy his wife's insatiable desire for greens. He also stole the Witch's magic beans. To punish him for the theft, she demanded and had been given the Baker's sister, a sibling the Baker never knew existed. She claims she still has the Baker's sister hidden away and that he can break the spell that makes him childless only by bringing her a cow as white as milk, a cape as red as blood, hair as yellow as corn and a slipper as pure as gold.

The Baker puts on his father's old jacket as he prepares to journey into the woods. He finds six beans in the pockets and wonders if they are the Witch's magic beans. He forbids his Wife to join him on this dangerous quest as he tries to memorize the list of things the Witch says he must deliver. As "The Prologue" ends, Cinderella decides to visit her mother's grave.

At this point, the show takes on a rapid pace.

Cinderella tells her mother her wish and is given a fancy dress and slippers to wear to the ball. While walking through the Woods to market, Jack encounters a Mysterious Man who tells Jack his cow is only worth a sack of beans. Little Red Ridinghood meets a Wolf who targets her and her grandmother as his next meal ("Hello, Little Girl"). The Baker appears and is concerned harm will come to Little Red Ridinghood. The Witch warns him not to worry about the child's welfare; his task is simply to steal her cape. We hear the sound of a woman singing in the distance; it is the voice of the Baker's lost sister, Rapunzel.

As the Baker struggles to remember the four objects on his list, his Wife appears, with another offer to help him. They argue about her presence as they encounter Jack and his cow, a beast like the one the Witch has demanded. The Baker's Wife persuades Jack to sell the cow for five of their beans (which leaves them with one remaining bean). After Jack sings a sad farewell to the cow ("I Guess This Is Goodbye"), the Baker is upset they used deceit to acquire the animal. The Baker's Wife insists they did Jack a favor. ("Maybe They're Magic"). She says you have to go after what you want and not hesitate. The Baker sends his wife home with the cow and continues on his way, as Rapunzel sings again.

The Witch visits Rapunzel at the tower where she is kept prisoner. A handsome prince sees the Witch climb Rapunzel's hair and decides to try it himself the following day.

The Baker makes an unsuccessful try at stealing Little Red Ridinghood's cape - thievery does not come naturally to him. Little Red Ridinghood enters her Grandmother's house to find the Wolf, in bed, pretending to be the old woman (whom he has eaten). After the Wolf eats Little Red Ridinghood, he takes a nap. The Baker sees a corner of the red cloak hanging out of the Wolf's mouth and hoping to get the whole thing cuts his stomach open, releasing Little Red Ridinghood and her Grandmother. After the ordeal, Little Red Ridinghood realizes that "I Know Things Now." Grateful to the Baker for saving her life, Little Red Ridinghood gives him her cloak.

Jack's Mother is furious with him for selling their cow for five seemingly worthless beans and she throws them away. The Baker's Wife, leading Milky-White through the forest, encounters Cinderella, who is running from the Prince (the brother, coincidentally, of the prince who is smitten with Rapunzel) and his Steward. When Cinderella reveals she isn't sure she wants the Prince, the Baker's Wife thinks she is being very foolish ("A Very Nice Prince.") The Baker's Wife tries to take one of Cinderella's gold shoes, but is forced to chase after the runaway cow instead.

The next morning the characters realize one midnight has gone and they have not realized their wishes. Jack discovers a beanstalk has grown up overnight.

As the Baker sleeps beneath a tree, Jack appears with an oversized money sack. He sings about "Giants In The Sky" and relates his adventure. He describes the sensation of being high in the sky and meeting a lady giant who drew him close. The appearance of her husband, an even bigger giant who intended to harm him, sent him scrambling back to earth with one of the giant's sacks of gold. Jack's Mother, delighted by his acquistion, has let him keep five gold pieces which he wants to use to buy back Milky-White. He finds the Baker and demands his cow. The Baker cannot sell the cow because the Witch wants it. Jack, thinking the Baker is holding out for more money, goes off in search of additional funds, leaving the gold with the Baker. The Baker's Wife appears, confessing she has lost the cow.

Rapunzel's Prince and Cinderella's Prince exchange tales of woe ("Agony"), each insisting his romantic problem is more serious than his brother's.

The Baker's Wife, who is searching for the hair as yellow as corn, encounters Jack's Mother, who is looking for Jack. The Mysterious Man returns the cow to the Baker. The Witch warns the Mysterious Man to stay out of her business. The Baker's Wife, recognizing Rapunzel's hair as the perfect shade to satisfy the Witch's hair demand, grabs one of the girl's substantial tresses, rips it out, and runs into Cinderella, who is on her way home from another night at the Festival. The Baker's Wife tries, without success, to take Cinderella's shoe. The Baker and his Wife run into each other and he finally agrees it will take both of them to accomplish their goal ("It Takes Two").

Jack appears with the hen that lays golden eggs. The Baker's Wife realizes the Baker has considered selling the cow for money. The cow drops dead and all seems lost for the Baker and his Wife. Two midnights are gone.

The Baker goes in search of another cow. The Baker's Wife goes off to try again to grab a golden slipper. The Witch warns Rapunzel to obey her ("Stay With Me") and to remain shielded from the world. Rapunzel says she is no longer a child and wants to see the world. Enfuriated, the Witch cuts off most of Rapunzel's hair and exiles her. The Narrator reveals, while pursuing Rapunzel, Rapunzel's Prince has fallen into a patch of thorns and blinded himself.

Little Red Ridinghood has turned bloodthirsty, replacing her red cloak with one made from the skins of the Wolf. Jack, questing after more money for his mother, has returned to the giant's domain to steal more gold.

Leaving her third visit to the royal ball with only one slipper, Cinderella reflects on her indecision about leaving her miserable home for the unknown aspects of life with the Prince ("On The Steps of the Palace"). She decides not to decide. She has left a shoe for the Prince to find and it will be his decision.

The Baker's Wife gives Cinderella her own shoes in exchange for the remaining gold slipper. She then has a struggle with the Prince's Steward who also wants the second gold slipper. The Mysterious Man becomes involved in the struggle. The Prince decides they only need one shoe. There is a horrible thud. Jack's Mother screams that a dead giant has fallen from the sky. No one seems to care. The third midnight is near. The Baker and his Wife report to the Witch with their four objects, but she rejects the new cow which they have covered with flour to look like the dead Milky-White. The Witch demands they bring the dead Milky-White to her and she'll bring it back to life. Jack appears with a golden harp. The Witch restores Milky-White to life and commands the Baker to feed the cow the other objects. A clock chime begins to strike. The Witch insists the cow be milked to fill a silver goblet. Jack tries, but no milk flows. When the Baker's Wife says she pulled the hair as yellow as corn from a maiden in the tower, the Witch explains she, the Witch, cannot have touched any of the objects needed to break the spell. The Mysterious Man says to feed the cow an ear of corn. The Witch reveals the Mysterious Man is the Baker's father. The cow eats the corn, the milk flows into the goblet and the Witch drinks it. She is transformed into a beautiful woman and the Baker's father dies as the third midnight strikes.

The Narrator explains the Witch had been cursed with ugliness after her beans were stolen, but is now beautiful once again. Milky-White is reunited with Jack. The Prince searches for Cinderella with the golden slipper. Lucinda and Florinda try to fit into the slipper by cutting off parts of their feet, but their tricks are discovered and the Prince finally finds Cinderella.

The Narrator states Rapunzel, who has had twins, has been reunited with her blind husband and Rapunzel's tears restored his vision. The Witch attempts a reconciliation with her adopted daughter, but Rapunzel refuses. When the Witch tries to enchant Rapunzel and her prince, she realizes that in exchange for her own youth and beauty, she has lost her magical power over others.

At Cinderella's wedding, her stepsisters are blinded. The Baker's Wife appears, very pregnant.

The Narrator observes that everything which seemed wrong is now right. The kingdoms are filled with joy and those who deserve happiness to are certain to live long and satisfying lives. Only tenderness and laughter are foreseen forever after. As everyone congratulates themselves on their unswerving determination to get their wishes, a giant beanstalk emerges from the ground and stretches to heaven. No one notices it.

Act Two

As in the opening of Act I, we discover three structures. The first is the castle where Cinderella lives with the Prince; the second is Jack's house which is filled with all the conveniences gold will buy; the third is the home of the Baker and his Wife, which is cluttered with nursery items.

While the characters seem content ("Prologue: So Happy"), minor disturbances are quietly disrupting the joyous scene. The Baker's Wife wants a bigger cottage and she is squabbling with her husband over the baby's care. Suddenly a huge crash is heard and their home caves in.

The Baker goes off to tell the Royal Family. The Witch, who has lost her garden in the incident, insists they will not be of any help. When the Baker stops at Jack's house he is refused help by Jack's Mother who is still angry because no one cared when she had a giant in her backyard. The Baker is granted an audience with Cinderella who seems unable to offer any concrete assistance. Despite his mother's warnings, Jack goes out to investigate.

Little Red Ridinghood stops at the Baker's. She is on her way to move in with her Grandmother because her own home was destroyed and her mother has disappeared. The Baker and his Wife offer to escort her through the woods. The birds come to lead Cinderella through the woods, warning of trouble at her mother's grave. The characters re-enter the woods "To flee the winds - To find a future - To shield - To slay - To flee - To find - To fix - To hide - To move - To battle - To see what the trouble is."

The royal brothers, Rapunzel's Prince and Cinderella's Prince, meet and again compare their problems. Rapunzel's Prince complains his wife finds it impossible to be happy because of her pain-filled upbringing. He has fallen for Snow White. Cinderella's Prince lusts after Sleeping Beauty (Reprise: "Agony").

The Baker, his Wife and child and Little Red Ridinghood are lost in the now chaotic woods. They see the Royal Family staggering down a path and learn the castle has been set upon by a giant. When the Baker reminds the Steward he tried to warn them, the Steward replies "I don't make policy, I just carry it out."

Suddenly the Giant appears and the group realizes it is the wife of the giant Jack killed. She has come to exact revenge and demands Jack be handed over to her. Since she is near-sighted, the group thinks they can substitute someone else. Everyone in the group has an idea who should be sacrificed. First they sacrifice the Narrator. When the Giant realizes he isn't the boy she's after, she destroys him and again demands Jack. Jack's Mother engages the Giant in a furious verbal battle; the Steward bashes Jack's Mother over the head to stop her from endangering everyone else and Jack's mother is fatally wounded. The Steward reveals that Jack is hiding in Rapunzel's tower. Then, hysterical, Rapunzel runs toward the Giant and is crushed. The witch mourns that this is the world she was trying to save Rapunzel from confronting ("Lament").

The group disagrees about turning Jack over to the Giant. The Royal Family, without concern for anyone else, run to another kingdom. The Baker and his Wife leave their child with Little Red Ridinghood and go off to save Jack from the Witch, who is on her way to turn him over to the Giant.

The Baker's Wife encounters Cinderella's Prince in the woods and they have a romantic encounter in a glade. The Prince is ready to forget his commitment to Cinderella, but The Baker's Wife is ambivalent ("Any Moment"). The Baker meets Cinderella next to her mother's ruined grave and invites her to join his group. The Baker's Wife realizes she has to let the moment go, but says she will never forget her time with the Prince ("Moments In The Woods"). She knows it is time for her to leave the woods, but she becomes lost, the giant appears and she is crushed.

Jack is discovered by the others. He reports the Baker's Wife is dead. Everyone blames him, but he blames the Baker for giving him the beans which set the scenario in motion ("Your Fault"). As the song evolves, everyone blames every one else. The Witch stops their accusations, declaring it's the "Last Midnight." She says everyone is looking for someone to blame, when they should look inward instead. She says "You can tend the garden. Separate and alone." She disappears as they begin to see the connections between their earlier individual actions and the current problem.

The Baker starts to leave the Woods, believing his child is better off with Cinderella than with him. Suddenly, his father, the Mysterious Man, reappears. The Baker says, "I thought you were dead." The Mysterious Man answers "Not completely. Are we ever?" The Baker cries out that the whole situation was caused by the father's invasion of the Witch's garden years before. The Mysterious Man accuses the Baker of running from his own guilt ("No More"). As his father leaves, the Baker realizes he is just like him. He decides to stay and fight alongside the others.

As the Baker, Jack, Little Red Ridinghood and Cinderella plan their attack, a flock of birds whispers to Cinderella that her prince has been unfaithful. She says she doesn't care and enlists their help to kill the Giant. As each perepares to execute the plan, the Prince reappears. Cinderella dismisses him saying, "My father's house was a nightmare. Your house was a dream. Now I want something in between."

Cinderella and the Baker try to reassure Little Red Ridinghood and Jack, who are now orphans trying to make sense of right and wrong ("No One Is Alone").

The Giant is killed and the dead in the community appear as ghosts, joining in a pronouncement of the moral lessons learned from the experience in the woods. The Baker and Cinderella become the responsible adults in a re-constituted family made up of the Baker's child, Little Red Ridinghood and Jack. The ghost of the Baker's Wife encourages him to believe in his power to raise their child without her. The Witch reappears to warn the Baker to be careful of the tales he tells his child ("Children Will Listen").

The final reprise of "Into The Woods" reminds us there will be times when each of us must journey into the woods but that we must mind the future and the past.

YOU JUST CAN'T ACT
YOU HAVE TO LISTEN
YOU CAN'T JUST ACT
YOU HAVE TO THINK.

The show ends as Cinderella says "I wish ... "

INTO THE WOODS--About the Pultizer Prize Winning Authors

The original production ran for 764 performances on Broadway and had a 17-month national tour. The original cast featured Bernadette Peters (the Witch) and Joanna Gleason (the Baker's Wife). Other Witches included Phyllicia Rashad, Nancy Dussault, Betty Buckley, Ellen Foley and Cleo Laine. Dick Cavett played the Narrator for several weeks on Broadway in 1988. There was also a much-heralded London production, which is also available as an RCA cast album. The original Broadway cast was videotaped for PBS' Great Performances" series; that show was made available on laserdisc and now on videotape.



Stephen Sondheim,
one of the most influential and accomplished composer/lyricists in Broadway history, was born in New York City and raised in New York and Pennsylvania. As a teenager he met Oscar Hammerstein II, who became Sondheim's mentor. Sondheim graduated from Williams College, where he received the Hutchinson Prize for Music Composition. After graduation he studied music theory and composition with Milton Babbitt. He worked for a short time in the 1950s as a writer for the television show Topper; his first professional musical theatre job was as the songwriter for the unproduced musical Saturday Night. He wrote the lyrics for West Side Story (1957), Gypsy (1959) and Do I Hear A Waltz? (1965), as well as additional lyrics for Candide (1973). Musicals for which he has written both music and lyrics include A Funny Thing Happened On The Way To The Forum (1962), Anyone Can Whistle (1964), Company (1970 - 1971 Tony Award Music and Best Lyrics), Follies (1971 - 1972 Tony Award Score and New York Drama Critics Circle Award; revised in London, 1987), A Little Night Music (1973 - Tony Award Score), The Frogs (1974), Pacific Overtures (1976 - New York Drama Critics' Circle Award), Sweeney Todd (1979 - Tony Award Score), Merrily We Roll Along (1981), Sunday In The Park With George (1984 - New York Drama Critics Circle Award; 1985 Pulitzer Prize for Drama), Into The Woods (1987 - Tony Award Score), Assassins (1991) and Passion (1994 - Tony Award Score). He composed the songs for the television production Evening Primrose (1966), co-authored the film The Last of Sheila (1973) and provided incidental music for The Girls of Summer (1956), Invitation to a March (1961) and Twigs (1971). Side By Side By Sondheim (1976), Marry Me A Little (1981), You're Gonna Love Tomorrow (1983; originally presented as A Stephen Sondheim Evening) and Putting It Together (1993) are anthologies of his work. He has written scores for the films Stavisky (1974) and Reds (1981), and composed songs for the film Dick Tracy (1990 - Academy Award for Best Song). He is on the Council of the Dramatist Guild, the national association of playwrights, composers and lyricists, having served as its president from 1973 until 1981, and in 1983 was elected to the American Academy of Arts and Letters. In 1990 he was appointed the first Visiting Professor of Contemporary Theatre at Oxford University. He was also recipient of a Kennedy Center Honor in 1993.

James Lapine also collaborated with Stephen Sondheim on Sunday in the Park with George, a revised version of Merrily We Roll Along and, most recently, Passion. Mr. Lapine collaborated with William Finn on the musicals March of the Falsettos and Falsettoland, which were later presented on Broadway as Falsettos. He has written and directed the plays Luck, Pluck and Virtue; Twelve Dreams; Table Settings; and adapted Gertrude Stein's poem/play Photograph. He has also directed The Winter's Tale and A Midsummer Night's Dream for the New York Shakespeare Festival and directed the films Impromptu and Life With Mikey. His work has been recognized with Tony, Drama Desk Obie and NY Drama Critics Circle awards and the Pulitzer Prize for Sunday in the Park With George.

History & Awards of INTO THE WOODS


The original production ran for 764 performances on Broadway and had a 17-month national tour. The original cast featured Bernadette Peters (the Witch) and Joanna Gleason (the Baker's Wife). Other Witches included Phyllicia Rashad, Nancy Dussault, Betty Buckley, Ellen Foley and Cleo Laine. Dick Cavett played the Narrator for several weeks on Broadway in 1988. There was also a much-heralded London production, which is also available as an RCA cast album.
The original Broadway cast was videotaped for PBS' Great Performances" series; that show was made available on laserdisc and now on videotape.

This same team won the Pulitzer Prize for Sunday in the Park With George three years before."

"Total enchantment. A spellbounding score, witty enough to make old stories fresh for adults, lovely enough to enchant youngsters."- Daily News







"Bewitching... dazzling... triumphant." - New York Post


"Non-stop pure pleasure. A ravishing explosion of color and melody and magic and laughter." - Time Magazine

Highlights of Major Awards Won:

2002 Tony® Award nominee Best Revival of a Musical -- Into the Woods

2002 Tony® Award nominee Best Actor in a Musical -- John McMartin

2002 Tony® Award nominee Best Actress in a Musical -- Vanessa Williams

2002 Tony® Award nominee Best Actress in a Musical -- Vanessa Williams

2002 Tony® Award nominee Best Featured Actor in a Musical -- Greg Edelman

2002 Tony® Award nominee Best Featured Actress in a Musical -- Laura Benanti

2002 Tony® Award nominee Best Scenic Design -- Douglas W. Schmidt


2002 Tony® Award nominee Best Costume Design -- Susan Hilferty

2002 Tony® Award winner Best Lighting Design -- Brian MacDevitt

2002 Tony® Award nominee Best Choreography -- John Carrafa

2002 Tony® Award nominee Best Director of a Musical -- James Laine

2002 Drama Desk Award winner Outstanding Revival of a Musical -- Into The Woods

2002 Drama Desk Award nominee Outstanding Actress in a Musical -- Vanessa Williams

2002 Drama Desk Award nominee Outstanding Actress in a Musical -- Laura Benanti

2002 Drama Desk Award nominee Outstanding Featured Actor in a Musical -- Greg Edelman

2002 Drama Desk Award nominee Outstanding Featured Actress in a Musical -- Kerry O'Malley

2002 Drama Desk Award nominee Outstanding Director of a Musical -- James Lapine

2002 Drama Desk Award winner Outstanding Set Design of a Musical -- Douglas W. Schmidt

2002 Drama Desk Award nominee Outstanding Costume Design -- Susan Hilferty

2002 Drama Desk Award winner Outstanding Sound Design -- Dan Moses Schreier

1999 Olivier Award Winner Best Actress In A Musical -- Sophie Thompson
1997 Tony® Award nominee Best Costume Design -- Ann Curtis

1988 Tony® Award nominee Best Musical -- Into the Woods

1988 Tony® Award winner Best Book of a Musical -- James Lapine

1988 Tony® Award winner Best Original Score -- Stephen Sondheim

1988 Tony® Award Winner Best Actress in a Musical -- Joanna Gleason

1988 Tony® Award nominee Best Featured Actor in a Musical -- Robert Westenberg

1988 Tony® Award nominee Best Scenic Design -- Tony Straiges

1988 Tony® Award nominee Best Costume Design -- Ann Hould-Ward

1988 Tony® Award nominee Best Lighting Design -- Richard Nelson

1988 Tony® Award nominee Best Choreography -- Lar Lubovitch

1988 Tony® Award nominee Best Direction of a Musical -- James Lapine

1988 Theatre World Award winner Best Debut Performance -- Danielle Ferland

1988 Drama Desk Award nominee Outstanding Actress in a Musical -- Bernadette Peters

1988 Drama Desk Award winner Outstanding Book of a Musical -- James Lapine

1988 Drama Desk Award nominee Outstanding Costume Design -- Ann Hould-Ward

1988 Drama Desk Award nominee Outstanding Director of a Musical -- James Lapine

1988 Drama Desk Award winner Outstanding Featured Actor in a Musical -- Robert Westenberg

1988 Drama Desk Award winner Outstanding Featured Actress in a Musical -- Joanna Gleason

1988 Drama Desk Award winner Outstanding Lyrics -- Stephen Sondheim

1988 Drama Desk Award nominee Outstanding Music -- Stephen Sondheim

1988 Drama Desk Award nominee Outstanding Musical -- Into the Woods

1988 Drama Desk Award nominee Outstanding Orchestrations -- Jonathan Tunick

1988 Drama Desk Award nominee Outstanding Set Design -- Tony Straiges

1988 NY Drama Critics Circle Award Winner Best Musical -- Into the Woods

Monday, February 5, 2007

Your Raise Me Up...You Raise Each Other Up...You Raise the Program Up

To all of my students who do their best each day:

So many of you do such fantastic work each day. I am proud to be your teacher or to have been your teacher. Thank you for helping me celebrate what I love doing most: teaching & directing. I hope you find the following words to be a fitting tribute for your commitment, hard-work, loyalty and for carrying on our "Winning Tradition of Excellence" with such great pride.

Thank you for all the times that I forget to tell you...and, I fear, that's more often than I'd like to admit.

What I love best about this song for you is that you do it for each other so selflessly. It's wonderful to work with a group of students who care about their work, their peers, the performing arts programs and who have such great pride in our school.

Mr. M.